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  • Swinglines : Rhythm, Timing, and Polymeter in Musical Phrasing
    Swinglines : Rhythm, Timing, and Polymeter in Musical Phrasing

    The way rhythm is taught in Western classrooms and music lessons is rooted in a centuries-old European approach that favors metric levels within a grand symmetrical grid.Swinglines encourages readers to experience rhythms, even gridded ones, as freewheeling affairs irrespective of the metric hierarchy.At its core, this book is a nuts-and-bolts study of durational comparisons in the context of creative expression.It shows that rhythms traditionally framed as "deviations" and "non-isochronous" have their own identities.They are coherent products of precise musical thought and action.Rather than situating them in the neither-here-nor-there, author Fernando Benadon takes a more inclusive view, one where isochrony and metric grids are shown as particular cases within the universe of musical time.Rhythms that do not readily comply with the metered regime are often regarded as anomalies and deformations.The music explored in this book demonstrates how readily this paradigm vanishes once the frame is flipped from what rhythm is not to what rhythm is.As conceptualized here, swing flattens the temporal field to consider how note values relate to one another by any magnitude, not just the simple ratios of traditional theory.Musical analyses illustrate the book's concepts with the aid of transcriptions and timing-data visualizations.Variation, tuplets, polymeter, displacement, phrase structure, rhythmic counterpoint, parallel tempos, cyclical patterns, and time signatures are shown to be particular expressions that draw their contours from the swing continuum.They showcase the rich diversity of rhythm and propose ways to reframe how we think about musical time.

    Price: 71.00 £ | Shipping*: 0.00 £
  • Jazz Phrasing for Saxophone Volume 2
    Jazz Phrasing for Saxophone Volume 2

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    Price: 23.99 £ | Shipping*: 3.99 £
  • Jazz Phrasing for Saxophone Volume 3
    Jazz Phrasing for Saxophone Volume 3

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    Price: 23.99 £ | Shipping*: 3.99 £
  • Prosodic Variation (With)in Languages : Intonation, Phrasing and Segments
    Prosodic Variation (With)in Languages : Intonation, Phrasing and Segments

    This volume focuses on research on prosodic variation, comprising intonation, prosodic phrasing, and segmental phenomena that are prosodically motivated or constrained, in several languages and language varieties.Besides Portuguese (European, Brazilian, and African varieties), the book covers another three unrelated languages and their varieties: Romanian, Arabic, and Assamese (spoken in India and Bangladesh).Language coverage is thus diverse, including understudied languages/varieties.The approaches followed are both experimental and theoretical.All the chapters share a common goal: to add to the knowledge of prosodic variation in each of the languages and varieties studied, and to contribute to the understanding of prosodic grammar, in general.

    Price: 90.00 £ | Shipping*: 0.00 £
  • The Elements of Music : Melody, Rhythm and Harmony
    The Elements of Music : Melody, Rhythm and Harmony

    What is the secret code behind so many musical compositions?How do you substitute chords to create greater musical complexity?Why is music so good at playing with people's emotions?In this compact book, composer and pianist Jason Martineau presents the elements of music in clear and comprehensible terms. Packed with superb diagrams and a wealth of fascinating hard-to-come-by musical tips, this is a great primer, and an invaluable resource for novice and professional alike.WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

    Price: 6.95 £ | Shipping*: 3.99 £
  • The Pop Composer's Handbook : A Step-by-Step Guide to the Composition of Melody, Harmony, Rhythm and Structure
    The Pop Composer's Handbook : A Step-by-Step Guide to the Composition of Melody, Harmony, Rhythm and Structure


    Price: 30.99 £ | Shipping*: 0.00 £
  • Agogic Maps : From Musical Phrasing to Enhancement of Urban Spaces
    Agogic Maps : From Musical Phrasing to Enhancement of Urban Spaces

    This book explores the value of the musical concept of “agogics” – the modification of regular rhythm to enhance expressive potential – in understanding urban spatial configurations within the current technological context and in developing urban maps that exploit sonic signals to create an open learning framework.The book starts by discussing the meaning and significance of agogics in the musical and artistic realm, with reference to the work of Adolphe Appia, Emile-Jaques Dalcroze, and Iannis Xenakis, among others.Its relevance to cartography and mapping is then examined, taking into account the contributions of Ian McHarg, Bill Hillier, Mark Shepard, and Robin Minard.The nature and value of agogic maps, for example in fostering awareness of place and effective organization of spatial development, are described in detail, with reference to case studies in Dar es Salaam, Tanzania and Segrate, Italy.It is explained how agogic maps take advantage of innovative categories and scripting equipment to provide a new mapping instrument for spatial and urban configurations, highlighting the interdependence between aural signals and spatial variables.This book will be of interest to architects, urbanists, and musicians with a specific interest in space and sound design.

    Price: 49.99 £ | Shipping*: 0.00 £
  • Easy Jazz Conception Trumpet : 15 solo etudes for jazz phrasing, interpretation and improvisation. trumpet.
    Easy Jazz Conception Trumpet : 15 solo etudes for jazz phrasing, interpretation and improvisation. trumpet.

    For jazz phrasing, interpretation and improvisationA new and exciting way for trumpet players to learn and practice basic jazz style.This book/audio set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Ryan Kisor on trumpet along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums.The recording features two separate versions of each etude: one with the soloist and rhythm section and one with the rhythm section only.See and hear how the soloist phrases, play with or without the soloist and learn basic jazz style first-hand. Instrumentation:trumpet

    Price: 19.50 £ | Shipping*: 3.99 £

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  • Does it belong more to rhythm, melody, and harmony?

    The concept of harmony is most closely related to the interaction of different notes and chords in music. Harmony refers to the simultaneous sounding of different pitches to create a pleasing sound. While rhythm and melody are also important elements in music, harmony specifically deals with the vertical aspect of music, focusing on how notes and chords interact with each other. Therefore, harmony belongs more to the realm of harmony itself.

  • What is the difference between rhythm, melody, and harmony?

    Rhythm refers to the pattern of sounds and silences in music, creating a sense of movement and pulse. Melody is the sequence of musical notes that are perceived as a single entity, often the most recognizable and memorable part of a song. Harmony involves the combination of different musical notes played or sung simultaneously, creating a pleasing sound. While rhythm provides the framework for the timing of music, melody is the main tune, and harmony adds depth and richness to the overall sound.

  • Can you please give me some phrasing tips for operators?

    When communicating with operators, it is important to be clear and concise in your instructions. Use simple and direct language to avoid any confusion. Provide all necessary information upfront to help operators understand the task at hand. Additionally, be polite and respectful in your interactions to foster a positive working relationship.

  • Can you please give me some phrasing help for operators?

    Certainly! When communicating with operators, it's important to be clear and concise in your instructions. You can start by politely addressing them with phrases like "Hello, could you please..." or "I would appreciate it if you could...". Additionally, using specific and direct language such as "Please transfer this call to..." or "Could you provide me with the status of..." can help operators understand your requests more easily. Lastly, always remember to thank them for their assistance with phrases like "Thank you for your help" or "I appreciate your support".

  • What is an improvising melody instrument and an accompanying rhythm group?

    An improvising melody instrument is a musical instrument that is capable of playing improvised melodies, such as the saxophone, trumpet, or guitar. These instruments are able to create spontaneous and unique melodies during a musical performance. An accompanying rhythm group consists of instruments that provide the rhythmic foundation for the music, such as drums, bass, and keyboard. Together, the improvising melody instrument and the accompanying rhythm group work together to create a dynamic and cohesive musical experience, with the melody instrument taking the lead and the rhythm group providing the underlying groove and support.

  • Does anyone have good phrasing tips for writing a factual judgment?

    When writing a factual judgment, it is important to be clear, concise, and objective. Use specific language to describe the facts of the case, avoiding vague or ambiguous terms. Organize the information in a logical manner, presenting the facts in a chronological order or by relevance to the case. Additionally, make sure to support your judgment with evidence and cite any relevant laws or precedents that apply to the case.

  • What are possible causes for incorrect phrasing or grammatical errors in English?

    Possible causes for incorrect phrasing or grammatical errors in English include lack of understanding of grammar rules, confusion with similar-sounding words, reliance on direct translation from another language, and lack of proofreading or editing. Additionally, typing quickly or multitasking while writing can lead to mistakes. It is important to take the time to review and revise written work to catch and correct any errors.

  • Can you please give me some help with phrasing to express my opinion?

    Of course! When expressing your opinion, you can start by saying "In my opinion," or "I believe that." You can also use phrases like "From my perspective," or "As I see it." It's important to remember to be respectful of others' opinions and to use language that conveys your thoughts clearly and confidently.

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